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一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？

网站管理员 • • 两次世界大战 • 阅读 112
一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？

现代战争是精英们的一种工具，也是他们最擅长的公关活动之一。

他们成功地让大量社会成员相信，战争包含了人类所有最崇高的行为和情感，是值得尊敬和尊重的。与此同时，它却将人类降格为最卑劣、最暴力的状态，鼓励我们去做一切我们知道是错误和不道德的事情。如今，宣传伪装成“新闻”，由“专家”传递给我们，巧妙地暗示敌人犯下的暴行。

但在一战期间，宣传采取了更明显的形式，下面就是意大利插画家和版画家阿尔贝托·马蒂尼（Alberto Martini）创作的令人惊叹的“Danza Macabra Europea”明信片系列。

他创作了5套反德明信片，并运送到前线，以鼓舞与凯撒作战的士兵的士气。这些明信片展示了敌人是多么无情和可怕，是一个堕落的性行为和食人屠杀的恶魔力量。这些明信片旨在在疲惫不堪、被剥削的士兵心中点燃仇恨之火，他们躺在肮脏、充满疾病的战壕里，四肢腐烂。

单看这些作品，它们都是令人惊叹的艺术杰作。但如果考虑到它们的用途，就会发现它们确实令人不安。

"Empire of Death" Austro-Hungarian Emperor Franz Josef is portrayed as a mutton chop demon. In his eye socket to the left is the Serbian Gavrilo Prinzip who assassinated Austro-Hungarian imperial Heir Apparent Archduke Franz Ferdinand in Sarajevo on June 28, 1914. This was the spark that ignited the World War. A skeleton Franz Ferdinand is in the right eye socket of the Emperor. Hanging from Franz Josef's elongated demon ears are victims of Austro-Hungarian atrocity in the Tyrol and Balkans following the assassination. No. 17 (The left ear reads Trento and Trieste, Austrian provinces populated by ethnic Italians and the right ear reads Serbia - which Austria-Hungary attacked and upon whose civilian population they performed slaughter.) At center below is a sword-skewered two-headed bird symbolizing that the demon Franz Josef will be the death of the Austro-Hungarian Empire, of which the two-headed eagle was the national symbol.

《死亡帝国》

German Kaiser Wilhelm II is portrayed as a turnip head in this card that explains " The turnip that the Prussians wanted to plant in Paris ". Martini's caricature both highlights the crimes of the Germans as well promising retribution to the Kaiser. On the turnip's leaves are the names of the cities Luvain , Reims and Paris. The Germans gratuitously shelled and then put to the torch Luvain and Reims. There was little compelling military reason in Reims, and not in Luvain. Luvain had, in fact, been abandoned by the Belgian army. The destruction of these cities, considered gems of European medieval art and architecture proved to the Allies and the world, that the German claim to be "cultured" was false. No. 13 The names of Luvain and Reims came to be synonomous in Allied anti-German propaganda with "barbarism" and lack of civilization. The promise of retribution, by France, is symbolized by the smiling skeletal "Death" who wears the French revolutionary cap and holds up a guillotine.

13号

来自《危险心灵》和一战宣传卡

一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？  一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？  一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？一战反德宣传明信片：政客的 “公关” 手段，如何将战争 “包装” 与 “扭曲”？

原创文章，作者：网站管理员，如若转载，请注明出处：https://www.likehistory.top/yzfdxcmxpzkdggsdrh.html

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